Where to Find Production Finance
There are numerous sources of production finance available to the independent producer and most independent film funding will be made up from a number of these different sources, broadly speaking they are;
Private Equity/Venture Capital – This is recoupable investment provided by individuals, specialist funds, VCT’s, or Enterprise Investment Schemes in return for a share of the profits.
Co-Producer Financing – A partnering producer may provide some equity finance in return for certain distribution rights. Co-producers are often sourced from different countries so that they are able to access a wider pool of Soft Financing options.
Soft Finance – This is finance that often doesn’t require recoupment and comes in the form of Grants, Product Placement, Tax Incentives, Crowd-sourced Funding;
- Grants – There are a number of grants available for British Films but these quite often involve jumping through a number of hoops. (Which one would naturally expect)
- Product Placement – This is sought from companies that provide cash or in-kind services in return for screen-time or marketing associate with the film. Examples include Aston Martin and Omega whose products are associated with the Bond movies.
- Tax Incentives – This is funding that is based on legislative tax breaks aimed at producers. Currently in the UK there is film tax relief offered to British Qualifying Films - Films that must be certified by the British UK Film Council. (This will be the subject of a blog entry as soon as I can get my head around all the details!)
- Crowd-Sourced Funding – Some producers have successfully raised finance for their films via the web by offering credits or roles as extras in a film to all that donate say $10. Your success at raising this type of funding largely depends on your creativity and web-savvy.
Gap Financing – Banks often provide a gap loan to help the producers get the production across the line. Banks will typically use projected sales income as collateral.
Pre-sales – This is where a distributor is willing on the strength of the proposition to offer to buy the rights to distribute the film in a certain territory before the film has been made. This can be used as collateral to borrow money and put towards the finance of the film.
Deferments – This is where cast and crew part-finance the film by deferring their fees to the end and recovering them from sales revenue, naturally with an enhancement for taking some of the risk.
I've said this before; the key is to maximise your Soft Financing streams so that you and your investors move quicker into Net Profit Distribution. Each one of these sources of revenue deserves a separate post and I shall endeavour to write about my experiences with each one as we move forward.